New Online Drawing Class

“Online Class “The Power of Line”

Learn the Secrets of Great Drawing!!

My newest online drawing class for those who need to study at their own pace cover the foundation of drawing basic 2d and 3d shapes that then used with sighting, measuring, mirroring, and construction techniques are then used to create contour drawings of still life arrangements. 


Biggest Tip that Will Improve Your Drawing!

Portrait of Young Women by the artist Kevin McCain

Horizontal and Vertical Relationships 

When we start to draw many times we are so focused on the object’s smaller pieces and details and we miss the larger picture. Then our drawing pays the price. Whenever you draw or even paint at least half of the drawing or painting is double, and triple-checking the basic relationships of objects. One of the greatest tools in the artist’s arsenal is the use of “Horizontal and Vertical” relationships!

This is a portrait that I drew and I decided it would be good to break it down into the horizontal and vertical alignments to show how those helped create a better drawing of this person. Let’s get started!

1. The Person that I Drew

young woman I am drawing

Many times when we are drawing something especially complex like a portrait we can get overwhelmed. When this happens, it’s always best to simplify any object we are drawing by using measuring and construction techniques to take the guesswork out of it. Horizontal and Vertical alignments are just another step to this process. Using a pencil use level lines(horizontal) and plumb(vertical) lines to check what is in line with something else or where they are in relationship to the entire shape. In this case, that shape is the head or egg-like shape. The next picture shows these vertical and horizontal alignments imposed over the photo of the model.

2. The Alignments I Used

This shows all the alignments I was watching or recording while I was drawing. This was in addition to measurements and head construction. Without the measurements the alignments are worth very much so here is the process I used.  I would start with the basic head construction using a modified Loomis method or a modified egg shape. Then I would mark the basic eye, nose, and mouth lines measuring those for the person’s likeness. I then laid out the 3 eye spaces, since this is a 3/4 view I use the 3 spaces of the eyes and nose space and then use those eye spaces to measure the rest of the head. Then I use the alignments to check the drawing to make sure that everything is in the right place. Such as normally the cheekbone is in front of the brow but on her the brow is further out. Usually the ear is above the nose line but on her the ear is below the nose line. The chin aligns with the right side of the nose (my right not hers), The neck starts at the about where the left corner of the mouth is, this is where this technique shows it’s strength it helps you be more aware of where stuff is base on the location of other stuff.

*3. Extra Tip*

picture showing a middle line drawn down the model's face

Because this is a 3/4 view it’s super important to find the middle line of the face to check for symmetry. This shows a line running down the middle of her face I always draw this line in when doing portraits. It really helps!

4. The finished Drawing

Portrait of Young Women by the artist Kevin McCain

I hope when you are drawing you will start to look more at the vertical and horizontal alignments or relationships. It will help your drawing immensely. Give it a shot!

One or Two Point Perspective Some Insights

Art Tip
Seeing the Perspective In a Scene
 Is it One Point or
Two Point Perspective?
Last month we discussed how to find the horizon line in a scene. Being aware of the horizon line is the first part of understanding how to draw and paint a scene. Okay but then what!? The next part is to be able to identify if the scene is in One Point Perspective or Two Point Perspective. It is essential to understand that as parallel lines move away from us the lines converge at a vanishing point. Like a straight stretch of highway diminishing miles into the distance at a point on the distant horizon.

The point where the highway converges on the horizon is called a “Vanishing point.” Vanishing points are always on the “Horizon Line.”

This is why you can find a horizon line by following the converging lines in a scene to the “Vanishing point” because Vanishing Points are always on the Horizon Line.
Let’s discuss the difference between “One Point Perspective” or “Two Point Perspective.” We will start with cubes and the viewer’s “Line of Sight.”
We will Use a Cube to Discuss One Point Perspective
Why Use a Cube!?
Cubes can easily be modified into all kinds of cars, vehicles, and buildings. If you can see the box or cube and or the scene’s perspective it will be easier to draw and paint it.
All kinds of problems occur when we are unaware of the perspective we are viewing.
Line Of Sight
When you are looking at something or a scene envision a line stretching from your cornea straight ahead in front of you. This is called your Line of sight. The illustration below shows a man from above a bird’s eye view. He is looking straight ahead as indicated by his Line of Sight. One cube is perpendicular to the man’s line of sight and the other cube is turned so it’s corner is facing the man’s line of sight. The cube that is perpendicular to the line of sight is in “One Point Perspective.” The cube that is turned with its corner towards the man’s line sight is in Two Point Perspective.
One Point Perspective
One Point Perspective
Always Has
“Just One Vanishing Point”
With One Point Perspective, you are always making one of three lines. Either VerticalHorizontal, or a Line Drawn to a Vanishing Point. If you look at the depth lines. You can take the lines and draw them out until they converge and they converge on the Horizon Line at the One Point Vanishing Point.
One Point Perspective Diagram
This illustration shows the basic procedure for creating boxes in one-point perspective.
One Point Perspective Scenes
Sometimes we aren’t dealing with boxes at all but planes like this road that converges to a point on the distant horizon.
Note: The city scene below shows a corner that is at a 45-degree angle because of this the angle doesn’t conform to the vanishing point. The lines going to the vanishing point are 90 degrees to the horizontal lines. So a 45-degree angle won’t go to this vanishing point. We won’t discuss this now but I wanted to point it out either ignore it or ask me about it in one of my classes.
Cityscapes are Boxes, Boxes, and More Boxes! 
The buildings are just varying sized boxes.
Looks For and Find
the Converging Lines
In the scene below follow the depth lines to the horizon line to find the One Point Perspective Vanishing Point. 
We Can Modify the Perspective
to Make it Easier
This scene below shows a barn that is close to One Point Perspective view though it is really a very soft Two Point Perspective view. As an artist you always want to simplify. So instead of trying to draw the barn in Two Point Perspective I straightened out the barn into One Point Perspective. One Point is far simpler than two-point so why not make it easier. below I show the barn drawn with either a Vertical Line, a Horizontal Lines, or a Line Receding to a vanishing point.

Note: For those of you who noticed the roof doesn’t conform to either a line that is vertical, horizontal or receding to a vanishing point you are correct. We will talk about drawing roofs next time.
Two Point Perspective
Two Point Perspective
“Has Two Sets of Vanishing Points”
With Two Point Perspective, you are always making one of three lines. Either a Vertical Line, a Line Receding to the Left Vanishing Point, or a Line Receding to the Right Vanishing Point. With the Depth lines you can take the lines and draw them out until they converge on the Horizon Line at vanishing points to the Left or to the Right.
Two Point Perspective Diagram
This illustration shows the basic procedure for creating boxes in two-point perspective.
Two Point Perspective Scene
These photos show scenes that are two-point perspective scenarios. 
Many times the vanishing points are outside the picture frame.
Painting of a Barn in Two-Point Perspective. Do you see the converging lines? They are very soft but they are there.
The Bottom Line
So when you are drawing or painting a scene. Identify if you are looking at one-point perspective or two-point perspective. With One-point perspective, everything converges to a single vanishing point. With Two-Point perspective, the objects in the scene have lines that recede to either a right or left vanishing point. If you have more questions about perspective join me for a drawing or painting class. More at Idahoartclasses.com